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Letter To Reader
Prelude To Intimacy by
Ira Einhorn is in part an
account of Einhorn's activities and the people he met while living in
London, Ireland, the Arran Islands, Formentera, the Canaries (La
Gomera) and St. Ives (North Cornwall), but also a reflection on his
life and role in the exploration of altered states of consciousness
and social transformation in the 1960s and 1970s. It includes many
observations about the direction American and European culture has
taken since those decades and a marvelously sensuous account of the
many women he loved while on the run.
Here's Ira Einhorn's message to you,
The Reader:
"The
book you are about to read, Prelude To Intimacy, was written in 18
days in a French maison d’arrêt. I assumed that I would immediately
be extradited. I wanted to create something useful to leave behind.
I had no conception of the
four-year battle that was ahead or the immense media attention to
follow: umpteen TV specials; a four-hour, three-part TV movie that
has now been released on video all over the world and that is sheer
fantasy; six pages in Newsweek; six pages in Time; four magazine
covers in England; thousands of newspaper and magazine articles in
America, France, Holland, Sweden, Ireland, Spain, Australia, Germany
and Italy; innumerable TV and radio news reports – almost none of
which (except in France) was based on fact or interaction with me.
I did not expect to have
supporters among the highest levels of the French government. I did
not imagine that President Clinton would telephone his French
counterpart about me.
I could go on, for the list is
long, but you get the point.
An unconstitutional law was
passed to provide me with a trial that should never have taken
place.
A civil suit, long past due
date, was permitted to prevent my telling my story. $1,000,000,000
stands between me and many curious readers.
My life was not permitted in the
courtroom. My past was trashed.
My wife, Annika, was prevented
from testifying by threat of arrest.
Judge Mazzola permitted the
entrance into evidence of much testimony that the law normally does
not permit. Pretrial, he would not allow my lawyers to talk about
the diaries that were taken from my apartment and then turned over
to a journalist who plagiarized my work for his own gain, blackening
my name, poisoning the public against me, thus making any fair trial
impossible. There is no similar, blatant criminal behavior to be
found in American case law.
At the conclusion of the trial,
Judge Mazzola berated me for mentioning psychotronics, which word he
stated was not in his dictionary, therefore did not exist. He
somehow missed the over 4,000 hits the word receives when you Google
it: you will find an article on me and psychotronics in the number
two position and two other articles in the top 20. The first
International Psychotronics Conference was held in Prague in 1975.
Judge Mazzola’s statement to me
is indicative of the bias with which he conducted the entire trial.
The D.A. has conveniently lost
the clothing Holly Maddux was wearing when her body was found in my
apartment; they had no blood on them. Neither was any blood found in
my apartment. In fact, there is no blood evidence in the case,
whatsoever.
I did NOT kill Holly Maddux.
{Editor's Note - Explained in the Epilogue}
I left Philadelphia in January
1981, perhaps wrongly, out of deep disgust at the tactics of
Assistant D.A. Barbara Christie who withheld exculpatory evidence
due us during the discovery period. Ms. Christie blew down the pages
of a private investigator’s report, doing away with the pagination
and thus allowing her to remove the exculpatory evidence, some of
which was withheld until 2002.
Five people, including two
detectives, saw Holly alive, six months after her supposed death.
A judge is bound by statute to
file a Superior Court appeal brief “forthwith.” Judge Mazzola took
28 months and had been in contempt of two court orders for many
months when he finally did so.
By then my lawyers had abrogated
all responsibility. They are beholden to the court that appointed
them, not to me, for their bread and butter. Bill Cannon simply went
silent. Mitch Strutin sent my letters back, unopened. In response to
their uncooperativeness, I felt it was necessary to file four
motions with the court on my own behalf (pro se).
When the Judge finally filed his
brief, the court ordered my lawyers to file my appeal within 30
days. When the appeal was already a month overdue, a lawyer friend
emailed Mitch Strutin about his failure to respond. Mitch then
hurriedly filed for a continuance.
And yet, my case is the biggest
these two lawyers will ever have. It is the most publicized case in
Pennsylvania history. The law passed just for me is called “the
Einhorn law” even in law books. It is not a case one easily forgets.
What is wrong with these men?
I have now done extensive
research on the case. I have a right to comment on the brief before
it is filed. But Bill Cannon is silent, and Mitch Strutin says he
will not share a draft with me. It is my future that is at stake,
and both of these men are operating unethically and in violation of
their own professional canon of ethics.
Sadly, this is a situation that
I have seen in every aspect of American life since my forced return
to the United States in July 2001. The buck stops nowhere.
Fortunately there are people of
heart, compassion and concern left in the U.S. Jim Sorrells is one
of them. He has struggled to get me a lawyer. Now he is attempting
to get my books into the public domain through editing, annotating,
and marketing my manuscript, Prelude to Intimacy. You are reading
this as a result of his efforts. If you wish to remain current on my
legal situation, let him know, and he will keep you informed.
I hope you enjoy this book and
learn from it for there are more to come, cooked a lot more slowly."
CLICK HERE TO ORDER
A HARD COPY OR AN EBOOK
CLICK HERE
TO BE ON THE MAILING LIST
FOR INFORMATION ABOUT
GETTING IRA EINHORN
A NEW, FAIR TRIAL.
Amnesty
International's
FAIR TRIALS MANUAL
Prelude To
Intimacy has a nine-page introduction by James Sorrells,
Ph.D., a personal friend of Ira’s from the 60s, who edited and
annotated the manuscript.
© 2005
CLICK HERE FOR PRESS RELEASE

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